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The Face Cup

Fiona Mulholland

Corner of Princes Street and Oliver Plunkett St.

Overview


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About The Face Cup
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Occupying three floors of a five-floor building on the corner of Princes Street and Oliver Plunkett Street, this artwork draws on locally discovered archaeological finds, and geometric patterns used in decoration in the Bronze Age.

The work is situated on the façade of the building on Princes Street, which has no windows on the upper levels. Each floor of the building has an elaborate cornice at the top, so that it seems as though there were three shelves stacked on top of each other. On each of the three floors, the walls have been painted with large triangle patterns. On the first floor, navy and white triangles; on the second, dusty pink against the natural grey of the building’s plaster work; and on the third, a bright, fresh green, also contrasting with the plaster grey.

On each so-called shelf, a giant replica of the archaeological finds has been mounted. On the first floor is the artefact that gives the artwork its name – The Face Cup. Originally a practical piece of dining ware, this has been blown up to well over 2 metres high and more than 3 metres wide. Replicating a hand-crafted piece of pottery, its surface is undulating, and shaped by working fingers and thumbs into the soft clay. A face has been carved into the front – two round eyes, a protruding nose, and a thin line for a mouth. An ear lug has been well-formed on the left-hand side, with just a vague ear shape on the right. This face cup was hand-carved in Styrofoam, covered with a smoothing layer of fibreglass, and then painted a dull, antique gold. Though the objects seem to be massive and weighty, they are actually quite light. They are affixed to the wall with stainless steel brackets.

On the second floor is a spoon – its handle pointing upwards, and with deep cracks through its bowl. This too has been made larger than life, at 1.8 metres in height, and 0.75 metres across. Like the face cup, it has been carved and covered to seem like hand-shaped pottery, and painted a dull, antique gold.

On the third floor sits half a cup, as though the other half were inside the building, its handle jutting out over the road. Built and finished in the same manner as the spoon and face cup, this is the last of the three Bronze Age finds.

This artwork sits over the ground floor which is a retail space. One of the former uses for this building was as a theatre in the eighteenth century. It was called the Exchange Building then, and there is a sign that reads “Exchange” on the second floor, near the spoon.


The Face Cup by artist Fiona Mulholland references two things unique to Cork: the rich dining culture of Princes Street and the broader heritage of County Cork. This work is inspired by a significant archaeological find from Mitchelstown, County Cork. In 2004, during roadworks, an archaeologist excavated “The Face Cup” and other objects, including a spoon. This 3,800-year-old anthropomorphic vessel is an exceptional artifact, with nothing similar found in Europe or Ireland since. These treasures are now in the care of The National Museum of Ireland.

When forming her response to this corner site, artist Fiona Mulholland considered it to resemble layered shelves, like an Irish Dresser, stacked with precious and everyday crockery. The idea of representing the cup and spoon reminded her of the exchanges we have over tea or at the kitchen table. Mulholland decided to take the curiously humorous form of the cup and spoon as the basis for the artwork.

She recreated these important finds three-dimensionally in styrofoam and fiberglass, which helped her achieve the desired scale while keeping the pieces lightweight. She painted them gold in a nod to their Bronze Age heritage, and they are mounted on a frame on the building’s façade.


“This work is so curious, whimsical, and charming. It brings museum artifacts and places new meanings and new audiences.  The Exchange Building on Princes Street has an important culinary history, it was home to the famous Ivory Tower Restaurant. The street is known historically as Playhouse Lane, which was home to an important theatre in the Eighteenth Century.  Fiona’s rendering on The Face Cup plays so well with these elements; food and theatre, and reminds us of our many pasts.”

Sarah Searson, Curator

The Artist

Fiona Mulholland

Fiona Mulholland
Fiona Mulholland is a leading Irish artist who is working successfully across a range of visual disciplines and contexts for over twenty-five years. She is motivated by materials and processes and the challenges of contexts. Her practice is primarily concerned with examining fragments of everyday life, often cross-referencing conflicting narratives of ‘nature’ and ‘culture’. Throughout her career she has moved fluidly between fine and applied art, spanning a variety of disciplines and media Fiona has produced award-winning designs, large-scale public art, and work within gallery contexts. Her Public Artwork includes a major commission for The Dun Laoghaire Harbour Company, The Beacon South Quarter, and the Vocational Education Board in Letterkenny. She has participated in numerous group exhibitions both nationally and internationally. Fiona has curated several significant exhibitions, been the recipient of bursary awards, and also regularly lectures in art and design at third level.  She currently lives and works between Dublin and the Northwest of Ireland.

Behind the scenes

The Team

Fiona Mulholland

Updates

A face from Irish prehistory Story Map

Location

Corner of Princes Street and Oliver Plunkett St.

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